Can I use this tire + rim combination : CONTINENTAL GRAND PRIX 5000 (28mm) + GT540 (24mm). Film Type: Kodak Tri-X 400 Black & White. The first few images are from my first roll with Portra 800. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? Honestly, I think this is a nearly . So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. As such, I then subsequently didnt shoot Portra 800 for nearly a year. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Still, consider an SLR with a very fast shutter or using filters. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. Making statements based on opinion; back them up with references or personal experience. Follow . Please see my straight-scan comparison I added at the end of the post. ISO 400 film is great for shooting indoors without flash, and it still has a clean, clear image for use in daylight. Improve this answer. I used the reference to create matching colours with adjustments via. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. Bright conditions like shooting outdoors on a sunny day benefit from lower values. Read moreabout our affiliate disclaimer. I then converted the resulting negatives by. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. After shooting both Portra 400 and Portra 800, I will say that it is much easier to shoot . The amount of detail you will have in the clouds and other very bright elements will make a huge difference. Just revisited this; I think its good to read and holds up well after two years Hamish. I used the reference to create matching colours with adjustments via Adobe Photoshops Color Balance tool. A: 50Daylight is a ISO 50/18 speed daylight balanced (5500K) motion picture emulsion, prepped and rolled for clean safe C-41 standard development as an ISO 50 film. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. Can I use high ISO film in bright light (without problems)? As it turns out it is at least fairly happy with overexposure. But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). I then converted the resulting negatives by inverting and equalizing the image data. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Another is to shoot the film at 400-500 ISO. (Mind you; I do not mean intentionally seeking out TO shoot in bright sunlight with a high ISO film just to be stubborn. So develop a relationship with and love your lab. If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. Unless you are overdeveloping. f/5.0, 1/80 sec, ISO 100 - For a deeper focus depth, but made image one stop darker. When shooting at a high ISO, get the exposure right. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. It only takes a minute to sign up. Night photography, outdoor in available light falls in the EV 3 to 5 range at 100 ISO, let's take EV 4 at ISO 100 as a typical value. Using ISO 1600 film outdoors, you're paying more money to get less resolution. I only shot two or three rolls have a couple in the fridge but I think its a waste of time. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? Id be interested to do that comparison in my workflow too. Dont deviate from that unless you have a good reason. B&W film should be less problematic. It single-handedly converts your emulsion to daylight-balanced stock. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[250,250],'35mmc_com-leader-2','ezslot_15',189,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-leader-2-0'); As you can see in this next frame, which Im going to take a stab in the dark (pun) and say was shot at EI1600, there is every bit of potential for very sharp, low grain images from this film provided a high quality lens is used and its scanned and processed well. And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . It sounds like I need to keep one handy for exactly this kind of situation. Neon lights are very easy to shoot. is used to define and measure various light sources colours on the spectrum from red to blue. And again, I suppose I could (guess and) adapt using the exposure-adjustment as conditions change, much like I did on digital cameras. It is. So for the best possible image quality when shooting at night, keep the ISO as low as you can. What ISO 35mm film should I buy? The last time I shot inside, I only had some UltraMax 400. Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. . Share. The number of distinct words in a sentence. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. In general, disposable cameras have ISO values of 400 or 800, suitable for daylight and sunset photography. If I am shooting outdoors in daylight and my Digital camera reads ISO 100, Shutter speed 1/125 and F11 Can I set my film camera to the same settings instead of buying a Meter. But that was a long time ago. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. The best answers are voted up and rise to the top, Not the answer you're looking for? Ive read that 400 iso film is versatile and can be shot in the daylight, but I find that with my camera I often have to use too slow shutter speeds that cause blurry photos even with 400 iso. Thanks for your answer. Content contributor - become a part of the worlds biggest film and alternative photography community blog. CineStill 800 Tungsten is the ultimate low light film for your film camera! In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. Learn more about this blog and find ways to contact the person who runs it Dmitri. So I wanted to know if Portra 800 was just as flexible. (Free 3-day trial)Subscribe here. 400-speed films also have the highest dynamic range and tonality on the market because they use a mix of large and small grains that make them much more versatile. Notify me of follow-up comments by email. Centering layers in OpenLayers v4 after layer loading. CineStill 800T is a great alternative to the few options we have. Actually, I was even more pleased with the results than I expected. I think I probably expected it to have a much coarser more visible grain structure, and that Id find myself in situations where Id regretted not using a slower film for the sake of less visible grain. You mention less brilliant colors. If you shoot 200 ISO film at 400 ISO, then photos will be overexposed by . This can make for an interesting effect or appear undesirable. Get your work featured on this website, our mailing list, and social media. Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. Light meter battery ran low and I overexposed my ASA 400 HP5+. When the ISO setting is low, the sensor is less responsive to light, so, therefore, it requires more light to create a well-exposed photograph. Thanks, Hamish, for another thoughtful column about another film type. (Funnily enough, after reading your comment I read the bit where you quoted me as saying 1200 a couple of times. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development . I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. Film has a "look" to it and that look can be influenced by developers and whether or not you push or pull the film. Perhaps more faded blacks or some such thing? Unexpectedly, the beauty of Cinestill 800T is that its a high speed film that wonderfully complements the daylight and were here to share how you can enhance your daytime capturing! Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. the image data. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. sells out quickly wherever I shop making hunting it down an adventure each time. They are very nice but those night shots are amazing. They put high(er) speed films . CineStill 800T shot in daylight without a warming filter, scanned with no colour correction via PrimeFilm XAs. //